“The Weird Red Thing: #OccupyWallStreet, Site-Specificity, and di Suvero’s Joie de Vivre” in Julieta Aranda and Carlos Motta, eds. Broken English (Performa, 2011)

Mckee_Di_Suvero

“VeniceVieques: Marked SitesDivided Horizons,” in Lisa Frieman, ed. Allora/Calzadilla: Gloria (United States Pavillion, 54th Venice Bienale) (Prestel, 2011)

“On ‘Climate Refugees’”: Biopolitics, Aesthetics, and Critical Climate Change,” in Qui Parle (Spring 2011), special issue on Eco-Criticism edited by Katrina Dodson

Mckee_QuiParleMay11

Review of Helen Mayer Harrison and Newton Harrison’s “Sierra Nevada: An Adaptation,” Artforum (April 2011)

AFHarrisons

“Art History, Ecocriticism, and the Ends of Man,” Oxford Art Journal (Winter 2011)

Mckee_OAJ2011

“Artistic Responses to Sustainability and Climate Change,” panel: Marjetica Potrc, Andrea Polli, Hans Haacke, Amy Balkin, Yates McKee, Doug Ashford, in Saskia Bos and Steven Lam, eds. Free as Air and Water (Cooper Union, 2010)

Jason Nein, "Stirring (Essex Doser)" (2009)

Cooper_Panel

“Wake, Vestige, Survival: Sustainability and the Politics of the Trace in Allora/Calzadilla’s Landmark,” OCTOBER 133 (Summer 2010)

http://www.mitpressjournals.org/toc/octo/-/133