Blogroll
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Recent Posts
- “The Weird Red Thing: #OccupyWallStreet, Site-Specificity, and di Suvero’s Joie de Vivre” in Julieta Aranda and Carlos Motta, eds. Broken English (Performa, 2011)
- “VeniceVieques: Marked SitesDivided Horizons,” in Lisa Frieman, ed. Allora/Calzadilla: Gloria (United States Pavillion, 54th Venice Bienale) (Prestel, 2011)
- “On ‘Climate Refugees’”: Biopolitics, Aesthetics, and Critical Climate Change,” in Qui Parle (Spring 2011), special issue on Eco-Criticism edited by Katrina Dodson
- Review of Helen Mayer Harrison and Newton Harrison’s “Sierra Nevada: An Adaptation,” Artforum (April 2011)
- “Art History, Ecocriticism, and the Ends of Man,” Oxford Art Journal (Winter 2011)
- “Artistic Responses to Sustainability and Climate Change,” panel: Marjetica Potrc, Andrea Polli, Hans Haacke, Amy Balkin, Yates McKee, Doug Ashford, in Saskia Bos and Steven Lam, eds. Free as Air and Water (Cooper Union, 2010)
- “Wake, Vestige, Survival: Sustainability and the Politics of the Trace in Allora/Calzadilla’s Landmark,” OCTOBER 133 (Summer 2010)
- “Land Art in Parallax: Media, Violence, and Political Ecology,” in Kelly Baum, ed. Nobody’s Property: Art, Land, Space, 2000-2010 (Yale, 2010)
- “Perversion, Abstraction, and the Limits of the Human: On Paul Chan at Greene Naftali” Texte Zur Kunst (Spring 2010)
- Response to questionnaire on “The Contemporary” OCTOBER 130 (Winter 2009)
- “Neoliberal Gothic: On Stephen Dillemuth and Nils Norman at Reena Spaulings” Texte Zur Kunst (Fall 2008)
- “The Public Sensoriums of Pulsa: Cybernetic Abstraction and the Biopolitics of Urban Survival,” Art Journal 67.3 (Fall 2008)
- “Post-Communist Notes on Some Vertov Stills,” in Hinderliter, Kaizen, Maimond, Mansoor, McCormick, eds. Communities of Sense: Rethinking Aesthetics in Practice (Duke, 2009)
- “Haunted Housing: Eco-Vanguardism, Eviction, and the Biopolitics of Sustainability,” Grey Room 30 (Winter 2008)
- “Tactical Media, Sustainability, and the ‘New Green Revolution’” Third Text 22.5 (2008)
- “Contemporary Art and the Legacies of Democracy,” in Nato Thompson, ed. A Guide to Democracy in America (Creative Time, 2008)
- “The Prayers and Tears of Paul Chan: Profane Illumination and the Post-Secular in the Baghdad in No Particular Order and Now Promise Now Threat,” In Paul Chan: Tin Drum Trilogy (Video Data Bank, 2008)
- Response to Antiwar Questionnaire, OCTOBER 123 (Winter 2008)
- Nongovernmental Politics (Zone 2007)
- “Suspicious Packages” OCTOBER 117 (Summer 2006)
“The Weird Red Thing: #OccupyWallStreet, Site-Specificity, and di Suvero’s Joie de Vivre” in Julieta Aranda and Carlos Motta, eds. Broken English (Performa, 2011)
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“VeniceVieques: Marked SitesDivided Horizons,” in Lisa Frieman, ed. Allora/Calzadilla: Gloria (United States Pavillion, 54th Venice Bienale) (Prestel, 2011)
Posted in Uncategorized
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“On ‘Climate Refugees’”: Biopolitics, Aesthetics, and Critical Climate Change,” in Qui Parle (Spring 2011), special issue on Eco-Criticism edited by Katrina Dodson
Posted in Uncategorized
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Review of Helen Mayer Harrison and Newton Harrison’s “Sierra Nevada: An Adaptation,” Artforum (April 2011)
Posted in Uncategorized
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“Art History, Ecocriticism, and the Ends of Man,” Oxford Art Journal (Winter 2011)
Posted in Uncategorized
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“Artistic Responses to Sustainability and Climate Change,” panel: Marjetica Potrc, Andrea Polli, Hans Haacke, Amy Balkin, Yates McKee, Doug Ashford, in Saskia Bos and Steven Lam, eds. Free as Air and Water (Cooper Union, 2010)
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“Wake, Vestige, Survival: Sustainability and the Politics of the Trace in Allora/Calzadilla’s Landmark,” OCTOBER 133 (Summer 2010)
Posted in Uncategorized
Leave a comment
“Land Art in Parallax: Media, Violence, and Political Ecology,” in Kelly Baum, ed. Nobody’s Property: Art, Land, Space, 2000-2010 (Yale, 2010)
Posted in Uncategorized
Leave a comment
“Perversion, Abstraction, and the Limits of the Human: On Paul Chan at Greene Naftali” Texte Zur Kunst (Spring 2010)
Posted in Uncategorized
Leave a comment
Response to questionnaire on “The Contemporary” OCTOBER 130 (Winter 2009)
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Leave a comment
“Neoliberal Gothic: On Stephen Dillemuth and Nils Norman at Reena Spaulings” Texte Zur Kunst (Fall 2008)
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Leave a comment
“The Public Sensoriums of Pulsa: Cybernetic Abstraction and the Biopolitics of Urban Survival,” Art Journal 67.3 (Fall 2008)
Posted in Uncategorized
Leave a comment
“Post-Communist Notes on Some Vertov Stills,” in Hinderliter, Kaizen, Maimond, Mansoor, McCormick, eds. Communities of Sense: Rethinking Aesthetics in Practice (Duke, 2009)
Posted in Uncategorized
Leave a comment
“Haunted Housing: Eco-Vanguardism, Eviction, and the Biopolitics of Sustainability,” Grey Room 30 (Winter 2008)
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Leave a comment
“Tactical Media, Sustainability, and the ‘New Green Revolution’” Third Text 22.5 (2008)
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“Contemporary Art and the Legacies of Democracy,” in Nato Thompson, ed. A Guide to Democracy in America (Creative Time, 2008)
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“The Prayers and Tears of Paul Chan: Profane Illumination and the Post-Secular in the Baghdad in No Particular Order and Now Promise Now Threat,” In Paul Chan: Tin Drum Trilogy (Video Data Bank, 2008)
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Response to Antiwar Questionnaire, OCTOBER 123 (Winter 2008)
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